Contemporary Art Exhibition and Socio-Cultural Artistic Project in Italy, supported by the American Association of the “National Hugging Day”

Only a couple of days left for the excitedly waited for exhibit of the artist Cesare Catania. Designated the only Ambassador worldwide of the International Hugging Day for 2023 (represented by the American association of the “National Hugging Day”, established by the American Reverend Kevin Zaborney in 1986, Cesare Catania shows up in Piacenza with an individual exhibit, promoting, through Art, an itinerant and global socio-cultural task versus discrimination and oppression, a task that tends to do excellent in an ethical method. “The Embrace. When Art covers Words”. This is the title of the modern art exhibit that the Italian artist will provide in Piacenza at the Poetry Museum beginning with Saturday 25 March. For a month, travelers and locals will have the ability to appreciate more than 20 work of arts of physical and digital art, all in an awesome architectural context. Sponsored by the Emilia-Romagna Region (Italian Regional Institution) and by the Permanent Secretariat of World Summit of Nobel Peace Laureates (http://www.nobelpeacesummit.com/about-us/permanent-secretariat/), in partnership with Bipa (Italian Biennial of Poetry amongst the Arts), and supported by the American Association of Kevin Zaborney’s National Hugging Day, the exhibit will offer the chance to dive into a world of shapes and colors, which represent the artist’s sensations over the last 10 years through a few of his most considerable masterpieces. “The Embrace” B Version in the Poetry Museum of Piacenza The Embrace Project and National Hugging Day: a strong link in between Italy and United States The exhibit THE EMBRACE represents a unicum since in addition to proposing the painting of the “The Embrace” (B Version) by Cesare Catania, it uses the general public the possibility of observing live 2 brand-new variations of the Embrace (the C and the D Version) belonging from an executive perspective to the most current works developed by the Artist, constantly in silicone and acrylic. Particularly, the Embrace Project has a double creative and socio-cultural undertone. The apparent social effect of the Project itself is indisputable, intending directly at the worths of inclusiveness and sharing, setting itself the primary goal of speaking to individuals from all over the world through a universal language, Art, and welcoming every human being to get out of one’s uniqueness to open up to others in a genuine and at the very same time symbolic accept. The Project originates from the artist’s desire to highlight the seriousness and value of bringing individuals together, from every viewpoint and above all following the social detachment enforced recently by elements external to the will of the person. “The Project was born from long reflections on the idea of ’em brace’, word and verb together, which is not restricted to emerging in a physical act however surpasses it by ending up being an action: concepts are welcomed. Visions are welcomed. And in this sense, the hug ends up being a method to include individuals in creative, spirited and cultural activities in order to interact beyond any geographical range and any spiritual, social, cultural distinction. In other words, it ends up being an extreme, useful however likewise virtual gesture to get closer to the other, to alter together and produce something brand-new together. An advanced act of peace. What much better surface than art to reveal all this utilizing a universal language? The standard desire is that the Project can likewise be accepted by truths such as Institutions, Schools, Health Structures and transversal truths to be of concrete aid specifically to those weaker groups who have actually been left alone or in any case on the sidelines after the pandemic” he describes the artist Cesare Catania. The taking a trip exhibit consists of a number of stops and strategies to touch the United States of America quickly. Exactly due to the fact that of his openness to social concerns and his tendency to combat versus discrimination in basic, Cesare Catania is chosen for 2023 by Kevin Zaborney as “the most huggable individual”, for that reason comprehended as the only international ambassador to represent the National Hugging Day. https://nationalhuggingday.wordpress.com/ Cesare Catania throughout the main discussion of Embrace Project at Palazzo Pirelli– Milan (17th of Novembre 2022) The art work on display screen in the Piacenza exhibit Among the art work on display screen in Piacenza from 25 March to 23 April we discover sculptures, cubist paintings, casual art, three-dimensional paintings and digital art. Of all the well-known oil on canvas tapestry entitled “The Embrace (B Version)”, painted oil on canvas by Cesare Catania in 2016 and illustrating in the stringent sense the welcome in between a male and a lady, in the broad sense the accept in between 2 individuals of various colors. And this is exactly the masterpiece that basically links the Italian art of Cesare Catania and the National Hugging Day of American origin. The exact same tapestry was displayed on 13 October 2016 at the Swiss Institute in Lugano throughout the International Week of Italian Culture and Language, an occasion supported by the Embassies of the Swiss Confederation, the Presidency of the Italian Republic, the Italian Ministry of Foreign Affairs, and the Italian Consulate. In 2019 the exact same tapestry was hosted at the Museum of the Royal Palace Museum of Monza. “The Embrace” B Version (2016) In addition to other stylistic and creative variations on the style of the Embrace, works coming from the most recent “Feelings and Emotions” collection are displayed in Piacenza (“Presence”, “Shyness”, “Incognito”, The Heart of the Earth F Version), along with sculptures in marble dust and meteorite pieces (” The Heart of the Earth B Version”), casual and hyper-realistic paintings at the very same time (“Summer Readings”), futuristic art work and NFTs, and far more. “Colour is commanded by the Virtus of the line, virtue and virtuality which forms the abstract however noticeable state of a grammar of lack, or of assent.” This is how Edoardo Callegari, head of the clinical committee of the Museum that hosts the Catania exhibit, summarizes it in his vital text. “In his works, Catania does not imitate natural appropriations in the pigment, however blends the virtue of the line. It is not an art of lacerations, however one that deeply invites and uses the tranquility and virile strength of which it has actually structured the limitless register of human feelings. It is the art of those who likewise build a concept of origin, deal with it and after that choose t
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