When an electronics firm known for one thunder makes a lateral trip valid into a brand unique instrument model, it would effectively be living off for celebration or scrutiny. MSI famously makes gaming computer programs, hardware, and peripherals. However, USB microphones are now moreover eSports tools and there might well effectively be as many USB mic devices in the marketplace as there are PS5 games. So, the introduction of MSI’s Immerse GV60 streaming microphone isn’t that dubious of a debut. The truth remains, nonetheless, that it’s laborious for USB mics to stand out in any such crowded self-discipline. That’s why the MSI Immerse GV60 stakes its claim on comprehensive aspects and factual audio outcomes for a aggressive tag.
At $129 MSRP (now and again much less in the cart), the MSI Immerse GV60 costs shut to or below loads of our favorites, such because the Blue Microphones Yeti X or the Elgato Wave:3. Yet, for that tag, it delivers excellent about all the pieces you might well beget from a USB mic: high-resolution audio, mounting choices, no-latency headphone monitoring, four pickup (polar) patterns, and convenient entrance-panel controls. Let’s take a more in-depth survey at what makes the GV60 a USB mic that works for any cause—no longer excellent gaming, nonetheless moreover podcasting, meetings, video creation, music recording … whatever you wish.
The MSI Immerse GV60’s invent
While I wouldn’t name it a copycat of the Blue Microphones Yeti and Yeti X USB mics, the MSI Immerse GV60 does tackle a comparable survey, feel, and peak to the 2 flagship Yetis. Indulge in them, the GV60 is a plug-and-play USB condenser microphone with a solid metal (matte-accomplished aluminum) chassis and sturdy metal stand with a padded bottom to present protection to tabletop finishes. Size-wise, it’s excellent a dinky bit smaller than the Yeti, while the weights are comparable. Measured on a digital scale, the GV60 mic alone weighs 1.3 kilos when put next with the Yeti’s 1.05 kilos, while the GV60 in its incorporated stand weighs 2.4 kilos, while the Yeti in its stand weighs 2.9 kilos.
When mounted on the desktop stand, the GV60 swivels internal the brackets so that you simply can search out the excellent perspective, and it unscrews from the brackets so as that you simply might well possibly mount it to a conventional microphone growth arm from the 5/8-lag threaded gap on the underside of the mic. Additionally on the underside are the USB-C port for connecting the incorporated 3-meter USB-C to USB-A cable to a computer or cell instrument, plus a 3.5mm headphone output.
It most effective took a couple of minute to unscrew the Immerse GV60 from its stand and screw it securely onto a no-frills On-Stage MBS5000 mic growth arm, nonetheless the MSI stand’s screws beget some free washers that you simply could study out now to now not spill onto the ground. A foam pop filter comes in the sphere and suits over the mic head.
Getting started with the MSI Immerse GV60
The Immerse GV60 requires no drivers or any assorted instrument to work as a plug-and-play USB mic with macOS and Dwelling windows 10 and bigger machines. MSI’s web position does no longer record cell devices as effectively matched; nonetheless, I used the GV60 with both a 2018 iPad Professional iOS tablet and a Motorola Stylus G Android cellphone with out a problems. In both instances, I plugged the mic straight into the cell devices with a USB-C cable and the devices known the mic as both the audio output and audio input for recording from a range of apps. Whether or no longer used with a computer or cell instrument, the mic attracts USB energy, so capture that in mind when brooding about battery levels.
The MSI Immerse GV60’s key aspects
While I talked a couple of comparable feel to the Immerse GV60 when put next with the Blue Yeti and Yeti X, the MSI mic differs in a couple of key aspects. For one, all of its controls are on the entrance of the mic, where they are easy to survey and reach. Additionally, the GV60’s 24-bit/96 kHz maximum audio resolution exceeds that of the Yeti (16-bit/48 kHz) and the Yeti X (24-bit/48 kHz). While 16-bit/48 kHz audio resolution is calm now and again sufficient for the commonest expend instances of a USB mic—equivalent to podcasting, YouTube and assorted on-line movies, video conferencing, gaming, and many others—it goes to’t peril to beget the further high-res capability of the GV60, whether or no longer it’s for producing music or future-proofing for emerging codecs—especially when the GV60’s usual promote tag is lower than both the Yeti and Yeti X.
The GV60 moreover has the predominant feature that merely about each and every USB mic shares: no-latency monitoring through its headphone output. With this, you’ll be able to hear to the microphone input (i.e., your teach, or whatever is being recorded) in the course of the mic’s headphone output in accurate-time, with out a prolong. Whether or no longer you’re recording your self, livestreaming, or excellent on a Zoom assembly, the no-latency monitoring is extremely beneficial.
And with the entrance-panel controls, you might well possibly conveniently adjust the stage of the mic input up or down, capture watch over the volume of the headphone output, or hit the mic restful button, which straight away shuts off the mic input and turn the entrance-panel mic LED from blue (mic on) to crimson (mic off).
Four recording pickup patterns
The final entrance-panel capture watch over selects regarded as one of many Immerse GV60’s four available pickup patterns, which resolve the areas sooner or later of the mic capsule that diaphragms focal point on while recording. MSI lists the four pickup patterns as Stereo, Omnidirectional, Unidirectional (aka cardioid), and Bidirectional (aka Figure 8).
The Unidirectional/cardioid sample zeroes in on the entrance, trails off at the aspects, and de-emphasizes the encourage—time and again used for single-particular person talking or singing. Omnidirectional takes in sound equally from 360 levels sooner or later of the mic and is factual for shooting your total ambiance of a home and each and every member of a roundtable dialogue. The Stereo sample uses the left and excellent channels to invent a broad audio image and is effectively-suited to recording instruments or a pair of sound sources in entrance of the mic. Within the rupture, the Advise